
Production
No awards listed yet.
David Michael Latt is an American film producer and independent-studio executive best known as a co-founder and president of The Asylum, the Burbank-based production and distribution company associated with low-budget genre films, direct-to-video releases, television movies, and the popular Sharknado franchise. Public biographical information about Latt's personal life is limited, but his professional record is unusually extensive: database listings credit him as a producer or executive producer on a large number of horror, action, science-fiction, disaster, and exploitation-style films released through The Asylum and related partners.
The Asylum was founded in 1997 by Latt, David Rimawi, and Sherri Strain. Accounts of the company describe it as beginning in distribution before moving more heavily into in-house production during the 2000s. The company became widely known for fast-produced, low-budget films timed to benefit from public interest in major studio releases with similar titles or premises, a practice often labeled “mockbuster” production. While that label has sometimes been used critically, it also identifies the business niche in which The Asylum became a durable independent supplier: inexpensive genre entertainment made quickly for home video, cable television, video-on-demand platforms, and streaming services.
Latt's producing career is closely tied to that operating model. His credits include Sharknado, the 2013 Syfy television movie produced by The Asylum and Syfy Films that turned a deliberately outrageous disaster premise into a viral pop-culture event. The film's social-media attention led to multiple sequels and made The Asylum far more visible outside its usual direct-to-video audience. Latt is also credited as an executive producer on Z Nation, the post-apocalyptic Syfy series produced by The Asylum that ran from 2014 to 2018. Those projects helped move the company from being known mainly for bargain-shelf genre films into recognizable television-franchise production.

as Self · 2026 · Not rated yet

Executive Producer · 2026 · Not rated yet

Producer · 2026 · Not rated yet

Producer · 2026 · Not rated yet

Producer · 2026 · Not rated yet

Producer · 2026 · Not rated yet

Producer · 2026 · Not rated yet

Producer · 2026 · Not rated yet
Community
Community
Discuss David Michael Latt. By default, replies in a topic go to the original poster; use a message’s Reply button to reply to someone specific.
Sign in to post in the forum.
The Movie Database lists Latt across hundreds of production credits, including both older Asylum titles and newer genre releases. His credit profile is dominated by producer and executive-producer roles rather than on-screen performance. That pattern reflects his main place in film culture: not as a celebrity producer in the awards-season sense, but as a high-output independent producer whose company built a recognizable brand through volume, speed, and market-aware titles. Public listings connect him to productions ranging from Sharknado and Z Nation to ongoing disaster, creature-feature, action, and horror titles issued by The Asylum.
Because Latt has not maintained the kind of public profile associated with major studio executives or actors, reliable public sources provide little detail about his early life, education, or private background. What can be stated with confidence is that his career has been central to The Asylum's identity and longevity. As president and co-founder, he helped shape a company that has survived for decades by serving audiences for inexpensive genre spectacle, by adapting to changes from video rental to cable and streaming, and by turning production efficiency into a business advantage.
Latt's legacy is therefore best understood through The Asylum's place in the media ecosystem. The company has been mocked, studied, and watched with curiosity for its opportunistic titles and ultra-fast production cycles, yet it has also provided steady work, filled programming demand, and produced cult objects whose appeal rests partly on their rough edges. Sharknado in particular showed how a low-budget television film could become a participatory online event. For viewers and critics interested in independent genre economics, Latt's career offers a case study in how a producer outside the traditional prestige system can build a long-running company around speed, ownership, and an exact sense of what a niche audience will sample.
References:
[1] Wikipedia, “The Asylum” — https://en.wikipedia.org/wiki/The_Asylum
[2] The Movie Database, “David Michael Latt” — https://www.themoviedb.org/person/30053-david-michael-latt
[3] IMDb, “David Michael Latt” — https://www.imdb.com/name/nm0490376/
[4] AllMovie, “David Michael Latt” — https://www.allmovie.com/artist/david-michael-latt-vn15326777
[5] Wikipedia, “Sharknado” — https://en.wikipedia.org/wiki/Sharknado
[6] The Movie Database, “Sharknado” — https://www.themoviedb.org/movie/205321-sharknado
[7] Wikipedia, “Z Nation” — https://en.wikipedia.org/wiki/Z_Nation
[8] The Movie Database, “Z Nation” — https://www.themoviedb.org/tv/61345-z-nation
[9] The Asylum, “Official site” — https://www.theasylum.cc/
[10] Wikipedia, “Mockbuster” — https://en.wikipedia.org/wiki/Mockbuster

Producer · 2026 · Not rated yet
Most liked
Top comments