Adriana Rotaru has flashes, but it wobbles

I am at 6/10 on Adriana Rotaru's work as Associate Producer in Megalopolis (2024). I like the idea of the performance more than the full result. It is solid enough, but there are moments where it feels a bit on autopilot. The quieter stuff works better than the bigger beats. I would not call it bad, just not as sharp as it could have been. Some scenes click, some just sit there. So the rating is less about one scene and more about the overall aftertaste.