Anton Momot is solid, with a few rough edges

For First Oscar (2022), Anton Momot feels like a 5.5/10. The quieter stuff works better than the bigger beats. It is solid enough, but there are moments where it feels a bit on autopilot. I like the idea of the performance more than the full result. I would not call it bad, just not as sharp as it could have been. So the rating is less about one scene and more about the overall aftertaste.