Zak Stoltz has good moments, though not fully even

What stood out to me about The Last Showgirl (2024) was how Zak Stoltz handled the role. The choices are controlled without feeling mechanical, which makes the character easy to trust. Even in crowded scenes, the performance keeps a clean line through the story. There is enough texture in the quieter beats to make the role feel lived in. It adds value without trying too hard to dominate the film. What works best is the balance between restraint and clear emotional intention. It is not the whole reason to watch the film, but it meaningfully improves the experience.