A useful but uneven turn from Paul Eliopoulos

I kept coming back to Paul Eliopoulos's choices here, especially in the smaller beats. The work never fully settles into the rhythm of the movie. It is not a careless performance, but it feels under-shaped. The performance is functional, but it does not leave much after the scene ends. Several choices feel too broad for what the scene seems to require. Different viewers may value it more, but for me the effect was limited.