Agustín Rolandelli feels too thin here

Agustín Rolandelli's contribution as Editor gives The Red Star (2021) a more specific texture. I wanted more specificity, especially in the emotional transitions. The performance is functional, but it does not leave much after the scene ends. Several choices feel too broad for what the scene seems to require. The work never fully settles into the rhythm of the movie. It is not a careless performance, but it feels under-shaped. Different viewers may value it more, but for me the effect was limited.