Some good and some weak parts from Paulo César Peréio

I watched São Ateu (2022) and Paulo César Peréio was one of the parts I kept noticing. There are good moments, especially when the scene is quiet. I wanted more detail, but it still has some useful emotion. The performance is okay for the movie, but sometimes it feels a little flat. I can understand what the actor wants to do, but not every scene is strong. Some parts are good, but other parts feel normal and not very fresh. Maybe other people will like it more, but this is my feeling.