Ida Räsänen feels too thin here

Ida Räsänen's contribution as Producer gives ULLA (2025) a more specific texture. It is not a careless performance, but it feels under-shaped. The performance is functional, but it does not leave much after the scene ends. Several choices feel too broad for what the scene seems to require. I wanted more specificity, especially in the emotional transitions. The work never fully settles into the rhythm of the movie. Different viewers may value it more, but for me the effect was limited.