Laurence Thripp has flashes, but it wobbles

Laurence Thripp was the thing I kept watching in After Louise (2019). Some scenes click, some just sit there. I would not call it bad, just not as sharp as it could have been. I like the idea of the performance more than the full result. It is solid enough, but there are moments where it feels a bit on autopilot. The quieter stuff works better than the bigger beats. I can see someone else being kinder to it, but I did not fully get there.