Lee Hak-ju has flashes, but it wobbles

There is something pretty interesting about how Lee Hak-ju fits into The Girl Who Ran (2020). I like the idea of the performance more than the full result. The quieter stuff works better than the bigger beats. I would not call it bad, just not as sharp as it could have been. I can see someone else being kinder to it, but I did not fully get there.