Good instincts from Karyn Rachtman, mixed result

Karyn Rachtman was the thing I kept watching in Four Rooms (1995). I like the idea of the performance more than the full result. Some scenes click, some just sit there. I would not call it bad, just not as sharp as it could have been. The quieter stuff works better than the bigger beats. It is less about one scene and more about the overall aftertaste.