Gelareh S. Siavash does not quite click

There is something pretty interesting about how Gelareh S. Siavash fits into Oma (2019). It never really locked in for me. A few choices felt pushed, and that pulled me out of the scene. It feels like the role needed another layer that never quite showed up. I kept waiting for a more specific angle on the character. I can see someone else being kinder to it, but I did not fully get there.