Sang Jun Kim feels too thin here

Sang Jun Kim's contribution as ADR Editor gives Monkey Man (2024) a more specific texture. The work never fully settles into the rhythm of the movie. Several choices feel too broad for what the scene seems to require. It is not a careless performance, but it feels under-shaped. The performance is functional, but it does not leave much after the scene ends. I wanted more specificity, especially in the emotional transitions. That overall aftertaste is what stayed with me after the credits.