Cory Geryak has flashes, but it wobbles

Cory Geryak was the thing I kept watching in 3:10 to Yuma (2007). I like the idea of the performance more than the full result. It is solid enough, but there are moments where it feels a bit on autopilot. Some scenes click, some just sit there. I would not call it bad, just not as sharp as it could have been. The quieter stuff works better than the bigger beats. It is less about one scene and more about the overall aftertaste.