Kazuyoshi Nakamura has good moments, though not fully even

Kazuyoshi Nakamura's contribution as Producer gives Doraemon the Movie: New Nobita and the Castle of the Undersea Devil (2026) a more specific texture. The performance has a clear idea behind it, but the execution is not equally strong throughout. There is some texture here, but I wanted a little more surprise. A few scenes feel specific and grounded, while others fall back on familiar choices. I appreciated the intention more than every individual moment. Different viewers may value it more, but for me the effect was limited.