Aggeliki Panayotou has flashes, but it wobbles

Aggeliki Panayotou was the thing I kept watching in Listen (2022). It is solid enough, but there are moments where it feels a bit on autopilot. I like the idea of the performance more than the full result. Some scenes click, some just sit there. I would not call it bad, just not as sharp as it could have been. That is the part I kept thinking about after the movie ended.