Keiko Toda is okay but not always strong

For me, Keiko Toda's work in Patalliro! (1982) is easy to talk about after watching. I wanted more detail, but it still has some useful emotion. I can understand what the actor wants to do, but not every scene is strong. There are good moments, especially when the scene is quiet. The performance is okay for the movie, but sometimes it feels a little flat. I remember both the good parts and the parts that did not work so well.