A useful but uneven turn from Doug Hemphill

Looking just at Doug Hemphill's work as Sound Re-Recording Mixer, there is a clear point of view in the performance. It supports the film well enough, though it rarely changes the temperature of a scene. A few scenes feel specific and grounded, while others fall back on familiar choices. There is some texture here, but I wanted a little more surprise. The performance has a clear idea behind it, but the execution is not equally strong throughout. My reaction is mainly about this specific film, not a judgement on the performer overall.