Jon-David Randle is solid, with a few rough edges

There is something pretty interesting about how Jon-David Randle fits into Twelfth Night (2021). Some scenes click, some just sit there. It is solid enough, but there are moments where it feels a bit on autopilot. I would not call it bad, just not as sharp as it could have been. I can see someone else being kinder to it, but I did not fully get there.