Good instincts from R.H. Thomson, mixed result

There is something pretty interesting about how R.H. Thomson fits into Stellar (2022). The quieter stuff works better than the bigger beats. I would not call it bad, just not as sharp as it could have been. Some scenes click, some just sit there. It is solid enough, but there are moments where it feels a bit on autopilot. I like the idea of the performance more than the full result. That is the part I kept thinking about after the movie ended.