A useful but uneven turn from Iddo Soskolne

Looking just at Iddo Soskolne's work as First Assistant Camera, there is a clear point of view in the performance. I appreciated the intention more than every individual moment. The performance has a clear idea behind it, but the execution is not equally strong throughout. A few scenes feel specific and grounded, while others fall back on familiar choices. There is some texture here, but I wanted a little more surprise. My reaction is mainly about this specific film, not a judgement on the performer overall.