Jessica Belkin has flashes, but it wobbles

Jessica Belkin was the thing I kept watching in You're Dead to Me (2025). The quieter stuff works better than the bigger beats. I would not call it bad, just not as sharp as it could have been. It is solid enough, but there are moments where it feels a bit on autopilot. I like the idea of the performance more than the full result. Some scenes click, some just sit there. It is less about one scene and more about the overall aftertaste.