Good instincts from Cécile Hannequin, mixed result

Cécile Hannequin was the thing I kept watching in Freedom (2024). I would not call it bad, just not as sharp as it could have been. I like the idea of the performance more than the full result. It is solid enough, but there are moments where it feels a bit on autopilot. Some scenes click, some just sit there. It is less about one scene and more about the overall aftertaste.