Rodger Goeckeritz has flashes, but it wobbles

There is something pretty interesting about how Rodger Goeckeritz fits into Men in Black II (2002). I like the idea of the performance more than the full result. It is solid enough, but there are moments where it feels a bit on autopilot. The quieter stuff works better than the bigger beats. I can see someone else being kinder to it, but I did not fully get there.