Megan Mancini feels too thin here

Megan Mancini's contribution as Editor gives Verse (2026) a more specific texture. I wanted more specificity, especially in the emotional transitions. The performance is functional, but it does not leave much after the scene ends. The work never fully settles into the rhythm of the movie. Several choices feel too broad for what the scene seems to require. It is not a careless performance, but it feels under-shaped. Different viewers may value it more, but for me the effect was limited.