Alix Henzelin has flashes, but it wobbles

There is something pretty interesting about how Alix Henzelin fits into Nouveaux visages de l'humour (2026). I like the idea of the performance more than the full result. The quieter stuff works better than the bigger beats. I would not call it bad, just not as sharp as it could have been. It is less about one scene and more about the overall aftertaste.