Hans Kramm works in parts

What stood out to me about Polyester (1981) was how Hans Kramm handled the role. I appreciated the intention more than every individual moment. There is some texture here, but I wanted a little more surprise. The performance has a clear idea behind it, but the execution is not equally strong throughout. A few scenes feel specific and grounded, while others fall back on familiar choices. Different viewers may value it more, but for me the effect was limited.