This role does not fully suit S.K.

What stood out to me about Saamaniyan (2024) was how S.K. handled the role. Several choices feel too broad for what the scene seems to require. I wanted more specificity, especially in the emotional transitions. It is not a careless performance, but it feels under-shaped. The performance is functional, but it does not leave much after the scene ends. Different viewers may value it more, but for me the effect was limited.