Arantza Vélez has flashes, but it wobbles

Arantza Vélez was the thing I kept watching in Eye for an Eye (2019). The quieter stuff works better than the bigger beats. Some scenes click, some just sit there. I like the idea of the performance more than the full result. It is solid enough, but there are moments where it feels a bit on autopilot. I would not call it bad, just not as sharp as it could have been. It is less about one scene and more about the overall aftertaste.