Killu Mägi is solid, with a few rough edges

There is something pretty interesting about how Killu Mägi fits into The Dissidents (2017). It is solid enough, but there are moments where it feels a bit on autopilot. The quieter stuff works better than the bigger beats. I like the idea of the performance more than the full result. I can see someone else being kinder to it, but I did not fully get there.