Keith Dunkerley has flashes, but it wobbles

There is something pretty interesting about how Keith Dunkerley fits into Stuntman (2018). It is solid enough, but there are moments where it feels a bit on autopilot. The quieter stuff works better than the bigger beats. Some scenes click, some just sit there. I like the idea of the performance more than the full result. That is the part I kept thinking about after the movie ended.