Kim Ah-young has flashes, but it wobbles

Kim Ah-young gives this role a little extra shape without making a big show of it. I would not call it bad, just not as sharp as it could have been. Some scenes click, some just sit there. The quieter stuff works better than the bigger beats. It is solid enough, but there are moments where it feels a bit on autopilot. I like the idea of the performance more than the full result. It is less about one scene and more about the overall aftertaste.