Some good and some weak parts from Koji Shiraishi

I watched Safe Word (2022) and Koji Shiraishi was one of the parts I kept noticing. There are good moments, especially when the scene is quiet. Some parts are good, but other parts feel normal and not very fresh. I wanted more detail, but it still has some useful emotion. The performance is okay for the movie, but sometimes it feels a little flat. Maybe other people will like it more, but this is my feeling.