Sofía González never quite convinces

Sofía González's contribution as Miriam gives Virus: 32 (2022) a more specific texture. Several choices feel too broad for what the scene seems to require. The work never fully settles into the rhythm of the movie. The performance is functional, but it does not leave much after the scene ends. It is not a careless performance, but it feels under-shaped. Different viewers may value it more, but for me the effect was limited.