Yoshihiro Fukuda feels too thin here

What stood out to me about Gekisou Sentai Carranger (1996) was how Yoshihiro Fukuda handled the role. The work never fully settles into the rhythm of the movie. The performance is functional, but it does not leave much after the scene ends. I wanted more specificity, especially in the emotional transitions. Several choices feel too broad for what the scene seems to require. Different viewers may value it more, but for me the effect was limited.