Tomasz Czech feels too thin here

Tomasz Czech's contribution as Digital Intermediate gives Ślicznotka (2022) a more specific texture. I wanted more specificity, especially in the emotional transitions. The work never fully settles into the rhythm of the movie. Several choices feel too broad for what the scene seems to require. The performance is functional, but it does not leave much after the scene ends. That overall aftertaste is what stayed with me after the credits.