Marian Röder is okay but not always strong

For me, Marian Röder's work in Und keiner geht hin (2025) is easy to talk about after watching. There are good moments, especially when the scene is quiet. I wanted more detail, but it still has some useful emotion. I can understand what the actor wants to do, but not every scene is strong. The performance is okay for the movie, but sometimes it feels a little flat. Maybe other people will like it more, but this is my feeling.