Marshall Potter never quite convinces

Marshall Potter's contribution as Producer gives Onairos (2025) a more specific texture. I wanted more specificity, especially in the emotional transitions. It is not a careless performance, but it feels under-shaped. The work never fully settles into the rhythm of the movie. The performance is functional, but it does not leave much after the scene ends. Several choices feel too broad for what the scene seems to require. My reaction is mainly about this specific film, not a judgement on the performer overall.