Samuel Pons has flashes, but it wobbles

I came away thinking about Samuel Pons's work as Director of Photography more than I expected. A couple of tiny timing choices really stuck with me. The small reactions do a lot of the heavy lifting. I bought the character pretty quickly, which is not always easy in this kind of film. There is a nice lived-in quality to it, nothing too forced. It is the kind of performance that quietly makes the movie sturdier. It is less about one scene and more about the overall aftertaste.