Some good and some weak parts from Jon Keng

Jon Keng as Director of Photography in Pinball: The Man Who Saved the Game (2023) made me pay attention more than I expected. Some parts are good, but other parts feel normal and not very fresh. There are good moments, especially when the scene is quiet. I wanted more detail, but it still has some useful emotion. The performance is okay for the movie, but sometimes it feels a little flat. I remember both the good parts and the parts that did not work so well.