Dante Marino works in parts

What stood out to me about Homewrecker (2025) was how Dante Marino handled the role. A few scenes feel specific and grounded, while others fall back on familiar choices. It supports the film well enough, though it rarely changes the temperature of a scene. The performance has a clear idea behind it, but the execution is not equally strong throughout. I appreciated the intention more than every individual moment. Different viewers may value it more, but for me the effect was limited.