Amalie Westerlin Tjellesen never quite convinces

Amalie Westerlin Tjellesen's contribution as Editor gives Pleasure (2021) a more specific texture. I wanted more specificity, especially in the emotional transitions. It is not a careless performance, but it feels under-shaped. The work never fully settles into the rhythm of the movie. The performance is functional, but it does not leave much after the scene ends. Several choices feel too broad for what the scene seems to require. That overall aftertaste is what stayed with me after the credits.