Anne Goscinny has flashes, but it wobbles

There is something pretty interesting about how Anne Goscinny fits into Little Nicholas: Happy as Can Be (2022). I like the idea of the performance more than the full result. I would not call it bad, just not as sharp as it could have been. Some scenes click, some just sit there. The quieter stuff works better than the bigger beats. It is solid enough, but there are moments where it feels a bit on autopilot. I can see someone else being kinder to it, but I did not fully get there.