Some good and some weak parts from MARION COULON

I watched QUAND ON A QUE L’AMOUR (2026) and MARION COULON was one of the parts I kept noticing. There are small expressions that make the character feel more real. The timing is good, and the emotion comes at the right moments. It is not too loud, but I still remembered the performance after watching. I think this work helps the movie a lot, even when the story is busy. I remember both the good parts and the parts that did not work so well.