Walter Tso Tat-Wah has flashes, but it wobbles

There is something pretty interesting about how Walter Tso Tat-Wah fits into Twinkle, Twinkle Lucky Stars (1985). I would not call it bad, just not as sharp as it could have been. I like the idea of the performance more than the full result. Some scenes click, some just sit there. It is solid enough, but there are moments where it feels a bit on autopilot. The quieter stuff works better than the bigger beats. It is less about one scene and more about the overall aftertaste.