Some good and some weak parts from Ruhi Sarı

I watched Âkif (2021) and Ruhi Sarı was one of the parts I kept noticing. I wanted more detail, but it still has some useful emotion. There are good moments, especially when the scene is quiet. Some parts are good, but other parts feel normal and not very fresh. I can understand what the actor wants to do, but not every scene is strong. The performance is okay for the movie, but sometimes it feels a little flat. I remember both the good parts and the parts that did not work so well.