Good instincts from Emily Glatter, mixed result

There is something pretty interesting about how Emily Glatter fits into Blow (2001). Some scenes click, some just sit there. The quieter stuff works better than the bigger beats. I like the idea of the performance more than the full result. It is solid enough, but there are moments where it feels a bit on autopilot. I would not call it bad, just not as sharp as it could have been. It is less about one scene and more about the overall aftertaste.